To use the LCDVF BM5 you need to first attach the adhesive-covered thin metal frame to the back of the BMPCC 4K or 6K. You can see that on the back of the frame there are 6 magnets that are used to hold the loupe. I don’t have any concerns over the build quality of the LCDVF BM5. The viewfinder is well made and solidly constructed. This makes it a lot heavier than the LCDVF BM optical viewfinder for the original Pocket which weighs 110g (3.88 oz). The LCDVF BM5 actually has a bit of weight to it. The viewfinder features a splash and dust resistant, powder-coated metal body.Īccording to Kinotehnik, the seals of the viewfinder are resistant to splashes of water and dust when attached to the back of the camera, keeping your view of the LCD clean and dust-free. It also features more magnets and secures more firmly to your camera. The new LCDVF BM5 optical viewfinder is a slightly more refined and better-built version. The LCDVF BM optical viewfinder works with the original Pocket Cinema Camera, as well as select Panasonic, Canon, and Sony cameras. Kinotehnik already makes an LCDVF for the original Blackmagic Pocket Cinema Camera Now, Kinotehnik is not the first company to make a solution for the Pocket Cinema Cameras, and they won’t be the last. The other option would be to use a loupe of some description, and that is where Kinotehnik comes in. The only option you really have with the Pocket Cinema Cameras is to either attach a daylight viewable monitor or try and rig up an external EVF. Unlike a hybrid mirrorless camera there is no viewfinder, so you cant hold the camera up to your eye and shoot. Both cameras have a rear 5″ screen that doesn’t articulate or move, and on top of that, the screens are not bright enough to use outdoors. The BMPCC 4K and 6K are good cameras, but let’s face it, the ergonomics and usability are far from perfect. The Original LCDVF ships with a lifetime warranty.Accepts 46mm diameter diopter correction lenses (optional).Flip design for right or left eye viewing.High-quality Achromatic eyepiece with Anti-Reflective coating.
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The other one is packed with features and can be expanded to include even more advanced features and tools.Ĭheck Pricing for Serato DJ Pro on SamAsh System Requirementsīefore we begin, note that as much as working with DJ software is a matter of personal choice, it is also a matter of whether you have the requirements for the software. The former is a free application and comes with limited features. In 2018, Serato split their software into two separate softwares based on their abilities – Serato DJ Lite and Serato DJ Pro. Over the decades, it has come up with multiple subsequent softwares each focused on making music production and DJ-ing better than the previous one. Traktor, on the other hand, was released the first two years after Serato in 2000. Serato was founded in 1998 and has contributed some iconic, industry-altering changes in music production since. Traktor Pro 3 and Serato DJ Pro are the latest versions of the respective DJ softwares. After reading this guide, you will get basic know-how about the performance of the softwares and other vital factors that make them worth investing in. This review enlists and compares some key features of the latest versions of these softwares. That being said, both have their pros and cons that will make one of them a good choice for some and bad for others. They are both widely used by clubs and professional DJs on some of the biggest stages across the world. Traktor and Serato are the leading industry giants when it comes to DJ and music production softwares. Lugging aside, CDs would be my alternative, but that's my opinion.Disclosure: As an Amazon Associate I earn from qualifying purchases. Traktor is better suited for controllers than SSL, in most cases, although I don't really see why you'd want to switch to that instead of vinyl. I didn't find this a problem, since I'm using my laptop anyways, I can just go from booth or something to line in. It also has a mic channel, where as SSL2 is only 2 channels, and you can't record directly in the software unless you get SS元 or 4. If you're going to buy a used Rane box, you might look into SL2 (which is what I have), because the original uses USB1.1 It's not bad, and still works quite well. I find that there is less confusion when setting up SSL vs. They're both built solidly, but the inputs are both on one side and the outs on the other for the Rane box, where as they're all together on the NI box. One of the things that I prefer about SSL over Traktor is how the hardware interface is designed. Here is a page that details a bit more of the FX stuff in SSL that you don't often see when looking at the interface. I haven't really looked into that side of Traktor myself. And you can go quite in depth with the parameters to adjust exactly how they sound. As far as FX go, I've heard that the ones on Traktor are "better" but at the same time, I've only ever heard that from people that use Traktor. However, the interface of Scratch Live is, in my opinion, more intuitive, it's the clean and simple look. There is a video of Qbert scratching with both SSL & Traktor, his conclusion is that they are about the same on a technical level. THANKS!Īs far as scratching is concerned, functionality wise, they are very similar. So I'm leaning towards Traktor, but price is somewhat an issue, and I think I can find used serato boxes for cheaper on ebay.Īny thoughts/info/links are appreciated. Also I'd like to be able to dj without turntables if possible when I don't feel like lugging them around, is this even possible with SSL? I'd like to utilize effects which I have heard that Traktor has more effects. So my question is, should I get Traktor or Serato? I've heard that ssl is better for hip-hop while traktor is better suited for house music, but I play both. it isn't reliable enough for scratching, (sticker drift) and sometimes it will take a couple seconds just to recognize that I'm moving the control vinyl. got the newer version of Torq but it just doesn't cut it. Now I want to play pretty much everything. I started out strictly mixing hip-hop but branched out. Originally learned on vinyl and eventually moved to Torq because it was the cheapest digital vinyl system (DVS). So I'm trying to get back in the game after 5 year hiatus. I hate to rehash this old argument but I'm really at a crossroads here. |
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